prof. dr. Sven Dupré
Sven Dupréis Professor and Chair of History of Art, Science and Technology at Utrecht University, and Professor of History of Art, Science and Technology at the University of Amsterdam (Conservation & Restoration). He is the Scientific Director of the project ‘Technique in the Arts: Concepts, Practices, Expertise, 1500-1950’, supported by a European Research Council (ERC) Consolidator Grant. Previously he was Professor of History of Knowledge at the Freie Universität and Director of the Research Group ‘Art and Knowledge in Premodern Europe’ at the Max Planck Institute for the History of Science in Berlin. In Spring 2017 he is a visiting fellow at the Institute for Advanced Study (University of Warwick), the Charles Singleton Center for the Study of Premodern Europe (John Hopkins University) and the Center for Research in the Arts, Social Sciences and Humanities (CRASSH, University of Cambridge). In Spring 2015 he was Robert H. Smith Scholar in Residence for Renaissance Sculpture in Context at the Victoria and Albert Museum in London. His research has been supported by visiting fellowships at CRASSH of the University of Cambridge, at the Institute for Advanced Study in Princeton and at the Sydney Centre for the Foundations of Science at the University of Sydney.
Dupré’s research is at the crossroads of art history and the history of science and technology. He is a member of the Descartes Centre for the History and Philosophy of the Sciences and the Humanities at Utrecht University, co-directing (with Wijnand Mijnhardt) the project “Creating a Knowledge Society in a Globalizing World, 1450-1800” in cooperation with the Max Planck Institute for the History of Science and the Netherlands Institute for Advanced Study (NIAS). He is actively involved in research in technical art history at the Ateliergebouw (Netherlands Institute for Conservation, Art and Science – NICAS) in Amsterdam, where the Rijksmuseum, the Cultural Heritage Agency of the Netherlands and the University of Amsterdam combine their knowledge in the field of restoration and preservation of art objects.
Dupré has published on a wide range of topics on the history of early modern science, technology and art in Italy, the Spanish Netherlands, the German lands, Britain and France. Recent publications include: Knowledge and Discernment in the Early Modern Arts (Routledge, 2017), Early Modern Color Worlds (Brill, 2016), Embattled Territory: The Circulation of Knowledge in the Spanish Netherlands (Academia Press/LannooCampus, 2015), Laboratories of Art: Alchemy and Art Technology from Antiquity to the 18th Century (Springer, 2014), Art and Alchemy: The Mystery of Transformation (Hirmer, 2014) in conjunction with an exhibition at the Museum Kunstpalast in Düsseldorf. His work is also published in numerous journals, including Studies in History and Philosophy of Science, Isis, Netherlands Yearbook for Art History, History of Humanities, Synthese, Paragrana: Internationale Zeitschrift für Historische Anthropologie and Intellectual History Review.