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ARTECHNE – Technique in the Arts, 1500-1950

Publications

2017
  • Dupré, Sven (2017). ‘De kunst van het maken’, oratie voor de leerstoel Geschiedenis van kunst, wetenschap en techniek,
    oratiedatum: 10 oktober 2016, gepubliceerd door Faculteit Geesteswetenschappen UU.
  • Dupré, Sven (2017). ‘De Mirograph in de Utrechtse Swillenscollectie’, in: Ilja Nieuwland and others(ed.), Dingen die ergens toe dienen. Verhalen over materiële cultuur van wetenschap, Hilversum: Uitgeverij Verloren, pp. 114-117.
  • Dupré, Sven (2017). [with Christine Göttler] ‘Introduction: Hidden Artifices’, in: Sven Dupré and Christine Göttler (eds.), Knowledge and Discernment in the Early Modern Arts, New York and London: Routledge, pp. 1-16.
  • Dupré, Sven (2017). [with Christine Göttler], Knowledge and Discernment in the Early Modern Arts, London and New York: Routledge [Contributors: Tine Luk Meganck, Christine Göttler, Lorenz Seelig, Felipe Pereda, Karin Leonhard, Oskar Bätschmann, Peter N. Miller, Thijs Weststeijn, Jan Blanc, Paul Taylor].
  • Boulboullé, Jenny (2017). ‘“In Waking Hours”: Historical Reconstruction, Film, and Why we Need More Diversity in Academic Output’, ARTECHNE project website, 17 January 2017.
  • Dupré, Sven (2017). ‘New Ways of Seeing and Knowing. How Art Moved from the Laboratory to the University’, ARTECHNE project website, 9 February 2017.
  • Hendriksen, Marieke (2017). ‘Transmitting Technique Between Disciplines: the Anatomical Models of William Rush (1756-1833)’, ARTECHNE project website, 9 March 2017.
  • Dupré, Sven (2017). ‘Materials and Techniques between the Humanities and Science: Introduction’, in: History of Humanities, vol. 2 (1), pp. 173-178.
  • Hendriksen, Marieke (2017). ‘“Art and Technique Always Balance the Scale”: German Philosophies of Sensory Perception, Taste, and Art Criticism, and the Rise of the Term Technik, ca. 1735–ca. 1835’, in: History of Humanities, vol. 2 (1), pp. 201-219.
  • Dupré, Sven (2017). ‘Doing It Wrong: The Translation of Artisanal Knowledge and the Codification of Error’, in: Matteo Valleriani (ed.), The Structures of Practical Knowledge, Cham: Springer International Publishing, pp. 167-188.
  • Hagendijk, Thijs (2017). ‘Cutting in Cultural Heritage. Besieging the Archives with a Paper-knife’, ARTECHNE project website, 8 May 2017.

2016
  • Dupré, Sven (2016). [with Tawrin Baker, Sachiko Kusukawa, Karin Leonhard], Early Modern Color Worlds, Leiden and Boston: Brill [Contributors: Tawrin Baker, Barbara H. Berrie, Fokko Jan Dijksterhuis, Karin Leonhard, Andrew Morrall, Doris Oltrogge, Valentina Pugliano, Anna Marie Roos, Romana Sammern, Simon Werrett].
  • Dupré, Sven (2016). [with Tawrin Baker, Sachiko Kusukawa, Karin Leonhard], ‘Color Worlds: Introduction’, in: Tawrin Baker, Sven Dupré, Sachiko Kusukawa, and Karin Leonhard (eds.), Early Modern Color Worlds, Leiden and Boston: Brill, pp. 1-18.
  • Dupré, Sven (2016). ‘Die Sichtbarkeit und Unsichtbarkeit von Körperwissen in der Kodifikation der Künste in der frühen Neuzeit’, in: Paragrana: Internationale Zeitschrift für Historische Anthropologie, vol. 25, pp. 110-129.
  • Dupré, Sven (2016). Review of Richard Yeo, Notebooks, English Virtuosi, and Early Modern Science. Chicago and London: University of Chicago Press, 2014, in: Isis, vol. 107, pp. 839-840.
  • Boulboullé, Jenny (2016). [with Donna Bilak, Joel A. Klein, Pamela H. Smith], ‘The Making of Knowing Project: – Reflections, Methods, and New Directions’, in: West 86th / The Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, vol. 23 (1), pp. 35-55.
  • Hendriksen, Marieke (2016). ‘Necessary, not Sufficient: The Circulation of Knowledge about Stained Glass in the Northern Netherlands, 1650-1821’, in: Nuncius. Journal of the Material and Visual History of Science. vol. 31 (2), p. 332-360.
  • Hendriksen, Marieke (2016). Review of Elizabeth Hallam (ed.), Designing Bodies. Models of Human Anatomy from Wax to Plastic. London: Royal College of Surgeons, 2015, in: Social History of Medicine (Aug 2016) doi: 10.1093/shm/hkw072.
  • Hendriksen,  Marieke (2016). Review of Fenneke Sysling, De Onmeetbare Mens. Schedels, ras, en wetenschapsgeschiedenis in Nederlands-Indië. Nijmegen: Vantilt, 2015, in: Studium, vol. 8 (4), pp. 233-235.
  • Hagendijk, Thijs (2016). Review of Ursula Klein, Humboldts Preußen. Wissenschaft und Technik im Aufbruch. Darmstadt: Wissenschaftliche Buchgesellschaft, 2015, in: Ambix, vol. 63 (2), pp. 190-191  http://dx.doi.org/10.1080/00026980.2016.1227170
  • Hendriksen, Marieke (2016), ‘Google Ngram for Early Modern History?’, The Medicine Chest, 13 March 2016.
  • Hendriksen, Marieke (2016). ‘How to Avoid a Bad Buy and Angry Patrons: A Recipe for Pigment Testing’, The Recipes Project, 12 April 2016.
  • Hendriksen, Marieke and Sven Dupré (2016), ‘Introducing ARTECHNE – Technique in the Arts, 1500-1950’, The Recipes Project, 30 June 2016.
  • Hendriksen, Marieke (2016). ‘Creating and Integrating a Database – Work in Progress’, The Recipes Project, 14 July 2016.
  • Hendriksen, Marieke (2016). ‘Preserving and Modelling the Body: Technique in Anatomical Practice and Visual Arts at the Royal College of Surgeons of Edinburgh, 1700-1850’, RCSEd Library and Archive blog, 2 September 2016.
  • Hagendijk, Thijs (2016). ‘How to Read Early Modern Instructions for Gold- and Silversmiths’, Shells and Pebbles website, 24 October 2016.
  • Pinto, Mariana (2016). ‘Short History of the Cochineal Red’. ARTECHNE project website, 12 December 2016.